Interviewer: You play hard ball when the attempt to give you a compliment is offered. Instead of accepting the gesture; your choice is to shove it away without thinking about what's been said.
Compliments have become this generations backstage pass to getting more. It rips the feeling of guilt from their reasons of demand. Compliment first. Then follow it with, "Oh by the way."
It's my choice to see through the compliment. I instantly butt in, "What do you need?"
The compliment that terminates best moods is, "You are so good at what you do."
The reply, "Good isn't where I want to be. I vow to be great."
Pastor Steven Furtick said it best, "Stop living life through other people's compliments. When you know the way of God. You will know his will. I was having a brilliant day before hearing what you thought of me."
The very moment the Compliment-er steps through the thick clouds I instantly look toward the corner of the studio. There sits God! Eating a freshly opened can of roasted peanuts, "Hmmm sorry they did that to ya. Wipe the mud off your face and get back in the race."
Interviewer: Yet you toss out compliments like Elvis Presley purchasing gifts for family and friends. Why do you expect people to accept your gesture?
I don't follow the compliment with, "But there's a change or I now need this?"
The essence of quality constructive criticism requires one simple rule: Breaking down a foundation only works if you're willing to help rebuild the several floors of readjustment. The quality of your voice could very easily be exactly on target but the volume or rhythm totally off. Through parroting the producer. The vocal acting delivery can be met if what's being offered is the effort of what the producer is trying to reach. I've had way too many bosses and studio producers use higher vocal volumes in trying to explain their efforts without ever demonstrating the correct pitch volume and tone. It's been: Compliment. Then: Do it my way or play on a different stage.
Interviewer: You're telling me that you don't use compliments to gain access?
That's cheating on the heart. No different than having a love affair.
Friday, May 17, 2013
The Interviewer Questions Compliments
Interviewer: You play hard ball when the attempt to give you a compliment is offered. Instead of accepting the gesture; your choice is to shove it away without thinking about what's been said.
Compliments have become this generations backstage pass to getting more. It rips the feeling of guilt from their reasons of demand. Compliment first. Then follow it with, "Oh by the way."
It's my choice to see through the compliment. I instantly butt in, "What do you need?"
The compliment that terminates best moods is, "You are so good at what you do."
The reply, "Good isn't where I want to be. I vow to be great."
Pastor Steven Furtick said it best, "Stop living life through other people's compliments. When you know the way of God. You will know his will. I was having a brilliant day before hearing what you thought of me."
The very moment the Compliment-er steps through the thick clouds I instantly look toward the corner of the studio. There sits God! Eating a freshly opened can of roasted peanuts, "Hmmm sorry they did that to ya. Wipe the mud off your face and get back in the race."
Interviewer: Yet you toss out compliments like Elvis Presley purchasing gifts for family and friends. Why do you expect people to accept your gesture?
I don't follow the compliment with, "But there's a change or I now need this?"
The essence of quality constructive criticism requires one simple rule: Breaking down a foundation only works if you're willing to help rebuild the several floors of readjustment. The quality of your voice could very easily be exactly on target but the volume or rhythm totally off. Through parroting the producer. The vocal acting delivery can be met if what's being offered is the effort of what the producer is trying to reach. I've had way too many bosses and studio producers use higher vocal volumes in trying to explain their efforts without ever demonstrating the correct pitch volume and tone. It's been: Compliment. Then: Do it my way or play on a different stage.
Interviewer: You're telling me that you don't use compliments to gain access?
That's cheating on the heart. No different than having a love affair.
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